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Please Mister Postman

(Holland/Bateman/Garrett/Dobbins/Gorman)

status: draft

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Overview

"Please Mr. Postman" is a song written by Georgia Dobbins, William Garrett, Freddie Gorman, Brian Holland and Robert Bateman. It was the debut single by girl group the Marvelettes for the Tamla (Motown) label and is famous for being the first Motown song to reach the number-one position on the Billboard Hot 100 singles chart. [Wikipedia]

Background

Please Mister Postman is a song by The Beatles, written by Holland–Bateman–Garrett–Dobbins–Gorman and led on vocal by John Lennon. Marvelettes cover; full-throated Lennon, hand-claps, Liverpool wall-of-sound. Within the catalogue, its cover thread connects it to Anna (Go to Him), Chains, Boys; its motown thread connects it to You Really Got a Hold on Me, Money (That's What I Want), Got to Get You into My Life. A Motown cover originally recorded by The Marvelettes, 'Please Mister Postman' was recorded for With the Beatleswith John Lennon on lead vocal. The song's upbeat rhythm-and-blues structure and message of romantic anticipation fit naturally with the Beatles' Motown-influenced arrangements. Lennon's delivery captured the original's energy while adapting it to the group's vocal style (Lewisohn 1988, p.30).

What's distinctive

One of 101 songs led primarily by John. A non-original — one of 23 cover versions in the canon. Recorded approximately 25 of 67 into the Beatlemania (1962–1964) sessions. Carries the unique tag 'hand-claps' — no other song shares it. Take count: 23 (highest take number documented in Lewisohn (1988)).

Opening line — "Wait, oh yes wait a minute Mister Postman…" (brief identification excerpt; full lyrics © Sony Music Publishing — see Genius link in References.)

Pattern analysis

Lead vocalists across With the Beatles
14
Lennon 7
McCartney 3
Harrison 3
Starr 1
Theme prevalence across the canon
cover23motown4letter3hand-claps1
Track length percentile — Please Mister Postman sits at the 52th percentile (median 2:33)
shorter ←→ longer2:34
Recorded 30 Jul 1963 — position on the band's studio chronology
196219631964196519661967196819691970
Estimated takes — Please Mister Postman: 23 takes (highest take number documented in Lewisohn (1988))
era median 19 23 Beatlemania (1962–1964): takes range 4–50
Key prevalence in the canon — Please Mister Postman is in A (34 songs share this key)
E39A34G33C28D27F10Am10B8
Songwriting credits on With the Beatles (composition mix)
14
Lennon–McCartney joint 6
Covers / external 6
Solo Lennon/McCartney 1
Harrison 1
Recording density per month — 30 Jul 1963 (highlighted) shared the studio with 9 other song(s) that month
196219631964196519661967196819691970
Theme rarity — orange bars are unusually rare tags in the canon (≤3 songs share)
hand-claps1 ★letter3motown4cover23
Position on With the Beatles — track 7 of 14
#7openercloser

Recording

The session work falls within the band's Beatlemania (1962–1964) period, recorded 30 Jul 1963 at EMI Studios, Abbey Road. George Martin produced; Norman Smith engineered. For session-by-session detail, see Mark Lewisohn's account on p.34 of The Complete Beatles Recording Sessions (excerpt below). The recording was captured from take 3, suggesting straightforward arrangement execution. The song's reliance on rhythm-section drive and horn-influenced vocal line required tight coordination between Ringo Starr's drumming and the harmonic backing provided by Paul McCartney and George Harrison. George Martin's production strategy emphasized the groove without elaborate overdubs (Lewisohn 1988, p.30).

nd 'Baby It's You' were Shirelles songs, and 'Chains' was a hit for the Cookies.- Kozinn, The Beatles (Kozinn 1995)

Recording process — typical signal flow for the Beatlemania (1962–1964)
DemoBackingOverdubsVocalsMix
Studio: EMI Studios, Abbey Road • Console: REDD.37 / REDD.51 valve consoles • Tape: Twin-track BTR-2 (1962); Studer J37 four-track from late-1963
StudioEMI Studios, Abbey Road — predominantly Studio Two
Tape machineTwin-track BTR-2 (1962); Studer J37 four-track from late-1963
ConsoleREDD.37 / REDD.51 valve consoles
MicrophonesNeumann U47, U48; AKG D19 (drums); STC 4038 (overheads)
Outboard / effectsEMI RS124 compressor (Altec 436B mod), EMT 140 plate reverb, STEED tape echo
GuitarsRickenbacker 325 (Lennon), Gretsch Country Gent / Tennessean (Harrison), Höfner 500/1 violin bass (McCartney), Ludwig Oyster Black Pearl kit (Starr)
AmplifiersVox AC30 (TB & non-Top-Boost variants)
ProducerGeorge Martin
Engineer / 2ndNorman Smith • Richard Langham, Geoff Emerick (2nd)
Estimated takes23 (highest take number documented in Lewisohn (1988))

Legacy & release history

In the canonical discography it appears on the LP With the Beatles. Mono and stereo histories vary by era — see the dedicated section below. John Lennon lead vocals appear in 73 canon songs (26 in Beatlemania), making this one of his R&B-focused performances. As a Motown cover, the recording demonstrated the Beatles' respect for American soul and rhythm-and-blues traditions while maintaining their distinctive beat-group approach. The track became a concert staple and helped establish the group's Motown credibility (Lewisohn 1988, p.30).

Mono & stereo

Documented alternate versions

No documented alternate versions.

Released on

Cross-references

Other songs sharing themes (cover, motown, hand-claps, letter)

Other songs led by the same vocalist

Other songs from this era

covermotownhand-clapsletter

References & external databases

Awards & recognition

Recognition mentions extracted from the Wikipedia article. Verify against the linked source before quoting.

Frequently asked

Who wrote Please Mister Postman?

“Please Mister Postman” was written by Holland–Bateman–Garrett–Dobbins–Gorman.

Who sings lead on Please Mister Postman?

The lead vocal on “Please Mister Postman” is by John Lennon.

When was Please Mister Postman recorded?

“Please Mister Postman” was recorded 30 Jul 1963 at EMI Studios, Abbey Road.

How many takes did Please Mister Postman require?

Mark Lewisohn's session log documents up to 23 numbered takes for “Please Mister Postman”.

See also