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All I've Got to Do

(Lennon/McCartney)

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Overview

"All I've Got to Do" is a song written by John Lennon and performed by the English rock band the Beatles on their second British album, With the Beatles (1963). In the United States, "All I've Got to Do" originally appeared on Meet the Beatles! (1964). [Wikipedia]

Background

All I've Got to Do is a song by The Beatles, written by Lennon–McCartney and led on vocal by John Lennon. Lennon attempt at a Smokey Robinson-style soul ballad. Within the catalogue, its ballad thread connects it to If I Fell, And I Love Her. An original John Lennon composition recorded for With the Beatles 'All I've Got to Do' features Lennon's lead vocal and demonstrates his sophistication in composing subtle ballads within the rock-and-roll context. The song's introspective lyrics and moderate tempo contrasted sharply with the aggressive rockers elsewhere on the album, showcasing Lennon's range as a composer (Lewisohn 1988, p.31).

What's distinctive

At 2:03 it's bottom fifth by length. One of 101 songs led primarily by John. Recorded approximately 27 of 67 into the Beatlemania (1962–1964) sessions. Carries the unique tag 'soul' — no other song shares it. Take count: 26 (highest take number documented in Lewisohn (1988)).

Opening line — "Whenever I want you around, yeah…" (brief identification excerpt; full lyrics © Sony Music Publishing — see Genius link in References.)

Pattern analysis

Lead vocalists across With the Beatles
14
Lennon 7
McCartney 3
Harrison 3
Starr 1
Theme prevalence across the canon
ballad3soul1smokey-influence1
Track length percentile — All I've Got to Do sits at the 16th percentile (median 2:33)
shorter ←→ longer2:03
Recorded 11 Sep 1963 — position on the band's studio chronology
196219631964196519661967196819691970
Estimated takes — All I've Got to Do: 26 takes (highest take number documented in Lewisohn (1988))
era median 19 26 Beatlemania (1962–1964): takes range 4–50
Key prevalence in the canon — All I've Got to Do is in E (39 songs share this key)
E39A34G33C28D27F10Am10B8
Songwriting credits on With the Beatles (composition mix)
14
Lennon–McCartney joint 6
Covers / external 6
Solo Lennon/McCartney 1
Harrison 1
Recording density per month — 11 Sep 1963 (highlighted) shared the studio with 5 other song(s) that month
196219631964196519661967196819691970
Theme rarity — orange bars are unusually rare tags in the canon (≤3 songs share)
soul1 ★smokey-influence1 ★ballad3
Position on With the Beatles — track 2 of 14
#2openercloser

Recording

The session work falls within the band's Beatlemania (1962–1964) period, recorded 11 Sep 1963 at EMI Studios, Abbey Road. George Martin produced; Norman Smith engineered. For session-by-session detail, see Mark Lewisohn's account on p.35 of The Complete Beatles Recording Sessions (excerpt below). Take 2 was selected for the final version, indicating efficient execution of the ballad arrangement. The minimal instrumentation allowed focus on Lennon's vocal phrasing and the harmonic support from Paul McCartney and George Harrison. George Martin's production approach emphasized intimacy over spectacle, relying on the song's melodic and lyrical content (Lewisohn 1988, p.31).

World Books 3 book has 13 days left.- MacDonald, Revolution in the Head (MacDonald 1994)

Recording process — typical signal flow for the Beatlemania (1962–1964)
DemoBackingOverdubsVocalsMix
Studio: EMI Studios, Abbey Road • Console: REDD.37 / REDD.51 valve consoles • Tape: Twin-track BTR-2 (1962); Studer J37 four-track from late-1963
StudioEMI Studios, Abbey Road — predominantly Studio Two
Tape machineTwin-track BTR-2 (1962); Studer J37 four-track from late-1963
ConsoleREDD.37 / REDD.51 valve consoles
MicrophonesNeumann U47, U48; AKG D19 (drums); STC 4038 (overheads)
Outboard / effectsEMI RS124 compressor (Altec 436B mod), EMT 140 plate reverb, STEED tape echo
GuitarsRickenbacker 325 (Lennon), Gretsch Country Gent / Tennessean (Harrison), Höfner 500/1 violin bass (McCartney), Ludwig Oyster Black Pearl kit (Starr)
AmplifiersVox AC30 (TB & non-Top-Boost variants)
ProducerGeorge Martin
Engineer / 2ndNorman Smith • Richard Langham, Geoff Emerick (2nd)
Estimated takes26 (highest take number documented in Lewisohn (1988))

Legacy & release history

In the canonical discography it appears on the LP With the Beatles. Mono and stereo histories vary by era — see the dedicated section below. John Lennon lead vocals appear in 73 canon songs (26 in Beatlemania), making this representative of his ballad work. As an original Lennon composition focusing on emotional restraint rather than energy or novelty, the track anticipated later introspective material and demonstrated the songwriter's willingness to explore vulnerability within the beat-group format (Lewisohn 1988, p.31).

Mono & stereo

Documented alternate versions

No documented alternate versions.

Released on

Cross-references

Other songs sharing themes (soul, ballad, smokey-influence)

Other songs led by the same vocalist

Other songs from this era

soulballadsmokey-influence

References & external databases

Notable covers

  • In 1979, Louise Goffin covered "All I've Got to Do" on her debut album, Kid Blue.
  • In 2007, the Smithereens covered "All I've Got to Do"—and all the other songs on Meet The Beatles! —on their tribute album Meet the Smithereens! .
  • Toxic Audio covered it on Come Together: An A Cappella Tribute to The Beatles.

Cover-version mentions extracted from the Wikipedia article. For comprehensive cover catalogs see SecondHandSongs.

Frequently asked

Who wrote All I've Got to Do?

“All I've Got to Do” was written by Lennon–McCartney.

Who sings lead on All I've Got to Do?

The lead vocal on “All I've Got to Do” is by John Lennon.

When was All I've Got to Do recorded?

“All I've Got to Do” was recorded 11 Sep 1963 at EMI Studios, Abbey Road.

How many takes did All I've Got to Do require?

Mark Lewisohn's session log documents up to 26 numbered takes for “All I've Got to Do”.

See also