Beatles Answers
HomeSongs › Your Mother Should Know

Your Mother Should Know

(Lennon/McCartney)

status: draft

On this page

Listen on Spotify

Overview

"Your Mother Should Know" is a song by the English rock band The Beatles, from their 1967 EP and LP, Magical Mystery Tour. It was written by Paul McCartney and credited to Lennon–McCartney. Titled after a line in the 1961 film A Taste of Honey, its lyrical premise centres on the history of hit songs across generations. [Wikipedia]

Background

Your Mother Should Know is a song by The Beatles, written by McCartney and led on vocal by Paul McCartney. Music-hall waltz; chosen for the film's white-tuxedo dance finale. Within the catalogue, its music-hall thread connects it to When I'm Sixty-Four; its waltz thread connects it to Baby's in Black. By May 1967, Beatles activities were scattered between recording McCartney's tune and travelling to see the Maharishi in Bangor, Wales, signaling internal tensions (Kozinn 1995, p.168).

What's distinctive

One of 65 songs led primarily by Paul. Recorded approximately 6 of 11 into the Magical Mystery Tour (late 1967) sessions. Carries the unique tag 'white-tux' — no other song shares it. Take count: 52 (highest take number documented in Lewisohn (1988)).

Opening line — "Let's all get up and dance to a song…" (brief identification excerpt; full lyrics © Sony Music Publishing — see Genius link in References.)

Pattern analysis

Theme prevalence across the canon
music-hall2waltz2white-tux1
Track length percentile — Your Mother Should Know sits at the 52th percentile (median 2:33)
shorter ←→ longer2:33
Recorded 22 Aug 1967 — position on the band's studio chronology
196219631964196519661967196819691970
Estimated takes — Your Mother Should Know: 52 takes (highest take number documented in Lewisohn (1988))
era median 30 52 Magical Mystery Tour (late 1967): takes range 12–58
Key prevalence in the canon — Your Mother Should Know is in Am (10 songs share this key)
E39A34G33C28D27F10Am10B8
Recording density per month — 22 Aug 1967 (highlighted) shared the studio with 0 other song(s) that month
196219631964196519661967196819691970
Theme rarity — orange bars are unusually rare tags in the canon (≤3 songs share)
white-tux1 ★music-hall2waltz2

Recording

The session work falls within the band's Magical Mystery Tour (late 1967) period, recorded 22 Aug 1967 at EMI Studios + Olympic Sound Studios (Barnes) for some MMT/All You Need Is Love work. George Martin produced; Geoff Emerick engineered. For session-by-session detail, see Mark Lewisohn's account on p.122 of The Complete Beatles Recording Sessions (excerpt below). No significant studio engineering color available in Emerick's account for this track. McCartney's old-timey composition explored a lighter musical idiom while the Beatles' collaborative unity was fragmenting during mid-1967 (MacDonald 1994, p.113).

By May, their activities were scattered across different projects.- Allan Kozinn, Kozinn 1995, p.168

Recording process — typical signal flow for the Magical Mystery Tour (late 1967)
DemoBackingOverdubsVocalsMix
Studio: EMI Studios + Olympic Sound Studios (Barnes) for some MMT/All You Need Is Love work • Console: REDD.51 + Helios at Olympic • Tape: Synced J37 four-tracks; first Beatles 8-track session (Trident's Ampex AG-440) imminent — Hey Jude, July 1968
StudioEMI Studios + Olympic Sound Studios (Barnes) for some MMT/All You Need Is Love work
Tape machineSynced J37 four-tracks; first Beatles 8-track session (Trident's Ampex AG-440) imminent — Hey Jude, July 1968
ConsoleREDD.51 + Helios at Olympic
MicrophonesU47/U48, AKG C12, ribbon mics (4038)
Outboard / effectsEMI RS124, EMT 140, Fairchild 660, ADT, tape phasing, Leslie cabinet
GuitarsEpiphone Casino, Fender Stratocaster (Harrison — psychedelic 'Rocky' Strat), Mellotron, clavioline
AmplifiersVox AC100, Vox UL730, Fender Showman, Fender Bassman
ProducerGeorge Martin
Engineer / 2ndGeoff Emerick • Ken Scott on some sessions
Estimated takes52 (highest take number documented in Lewisohn (1988))
These two nights interrupted what would otherwise have been a 72-day interlude between Beatles sessions. "Abbey Road was fully booked on those two nights," says Chappell engineer John Timperley, "but George Martin had been using our studio for quite a few of hisother artistes and I had worked with him at Olympic and…— Mark Lewisohn, The Complete Beatles Recording Sessions, p.122

Legacy & release history

In the canonical discography it on the EP Magical Mystery Tour. Documented alternate versions include Anthology 2 (1996), 2009 Stereo Remasters. Mono and stereo histories vary by era — see the dedicated section below. The true stereo version appeared only after early 1972 repress; Anthology 2 (1995) included an outtake from 16 Sep 1967 with superior fidelity.

Mono & stereo

Documented alternate versions

Released on

Cross-references

Other songs sharing themes (music-hall, waltz, white-tux)

Other songs led by the same vocalist

Other songs from this era

music-hallwaltzwhite-tux

References & external databases

Frequently asked

Who wrote Your Mother Should Know?

“Your Mother Should Know” is credited to Paul McCartney (Lennon–McCartney).

Who sings lead on Your Mother Should Know?

The lead vocal on “Your Mother Should Know” is by Paul McCartney.

When was Your Mother Should Know recorded?

“Your Mother Should Know” was recorded 22 Aug 1967 at EMI Studios, Abbey Road.

How many takes did Your Mother Should Know require?

Mark Lewisohn's session log documents up to 52 numbered takes for “Your Mother Should Know”.

See also