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Why Don't We Do It in the Road?

(Lennon/McCartney)

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Overview

"Why Don't We Do It in the Road?" is a song by the English rock band the Beatles, released on their 1968 double album The Beatles. Short and simple, it was written and sung by Paul McCartney, but credited to Lennon–McCartney. At just 1:42 in length, "Why Don't We Do It in the Road?" comprises 34 bars of a twelve-bar blues idiom. [Wikipedia]

Background

Why Don't We Do It in the Road? is a song by The Beatles, written by McCartney and led on vocal by Paul McCartney. Inspired by two monkeys in Rishikesh; cut by Paul alone (with Ringo). Within the catalogue, its solo-paul thread connects it to Blackbird, Mother Nature's Son. Paul McCartney's minimalist rocker, inspired by Indian street musicians encountered during the Beatles' Transcendental Meditation retreat, employed simple blues-progression structure and unadorned arrangement. The track featured only Paul's vocal and drums, recorded in a bare-bones approach that emphasized raw groove and sexual suggestiveness. The song's provocative title and straightforward arrangement represented McCartney's embrace of blues fundamentals and rock-and-roll directness. Why Don't We Do It In the Road is a free-wheeling burst so uncharacteristic that many listeners first thought Lennon must have been behind it. (Kozinn 1995, p.183)

What's distinctive

At 1:41 it's one of the shortest tracks in the canon (≤5th percentile). One of 65 songs led primarily by Paul. Recorded approximately 33 of 34 into the The White Album (1968) sessions. Carries the unique tag 'one-lyric-line' — no other song shares it. Take count: 67 (highest take number documented in Lewisohn (1988)).

Opening line — "Why don't we do it in the road?" (brief identification excerpt; full lyrics © Sony Music Publishing — see Genius link in References.)

Pattern analysis

Lead vocalists across The Beatles (White Album)
30
Lennon 12
McCartney 11
Harrison 4
Starr 2
Other 1
Theme prevalence across the canon
solo-paul3one-lyric-line1rishikesh-monkeys1
Track length percentile — Why Don't We Do It in the Road? sits at the 5th percentile (median 2:33)
shorter ←→ longer1:41
Recorded 10 Oct 1968 — position on the band's studio chronology
196219631964196519661967196819691970
Estimated takes — Why Don't We Do It in the Road?: 67 takes (highest take number documented in Lewisohn (1988))
era median 67 67 The White Album (1968): takes range 6–99
Key prevalence in the canon — Why Don't We Do It in the Road? is in D (27 songs share this key)
E39A34G33C28D27F10Am10B8
Songwriting credits on The Beatles (White Album) (composition mix)
30
Solo Lennon/McCartney 23
Harrison 4
Lennon–McCartney joint 1
Starkey (Ringo) 1
Covers / external 1
Recording density per month — 10 Oct 1968 (highlighted) shared the studio with 15 other song(s) that month
196219631964196519661967196819691970
Theme rarity — orange bars are unusually rare tags in the canon (≤3 songs share)
one-lyric-line1 ★rishikesh-monkeys1 ★solo-paul3
Position on The Beatles (White Album) — track 15 of 30
#15openercloser

Recording

The session work falls within the band's The White Album (1968) period, recorded 10 Oct 1968 at EMI Studios + Trident Studios (Soho). George Martin (with Chris Thomas covering) produced; Ken Scott (early), Geoff Emerick walked off — replaced engineered. For session-by-session detail, see Mark Lewisohn's account on p.8 of The Complete Beatles Recording Sessions (excerpt below). Recorded with Paul's vocal and drums (Ringo) comprising the complete arrangement, 'Why Don't We Do It in the Road' exemplified minimal studio intervention and maximum raw energy. Engineer Ken Townsend captured the performance with standard microphone placement, preserving the track's unpolished authenticity and direct emotional impact without additional processing or overdubbing. Ken Townsend captured the performance with standard microphone placement and minimal processing, preserving unpolished authenticity during this Paul-solo-with-Ringo session. (Emerick 2006, p.not cited) The song's blues fundamentals ground McCartney's minimal arrangement in pure rhythmic energy; Ringo's drumming provides sole instrumental support. (MacDonald 1994, p.not cited)

free-wheeling burst so uncharacteristic.- Kozinn / Critical observation, Phaidon 1995, p.183

Recording process — typical signal flow for the The White Album (1968)
DemoBackingOverdubsVocalsMix
Studio: EMI Studios + Trident Studios (Soho) • Console: REDD/TG12345 prototype; Sound Techniques 20/8 (Trident) • Tape: Ampex AG-440 8-track (Trident); 3M M23 8-track at EMI from late 1968 (J37 four-track until then)
StudioEMI Studios + Trident Studios (Soho) — first Beatles 8-track sessions: 'Hey Jude' onward
Tape machineAmpex AG-440 8-track (Trident); 3M M23 8-track at EMI from late 1968 (J37 four-track until then)
ConsoleREDD/TG12345 prototype; Sound Techniques 20/8 (Trident)
MicrophonesU47/U48, AKG C12, U67 introduced
Outboard / effectsEMI RS124, EMT 140 & 250 (Trident), Fairchild 660, ADT, tape flanging, fuzz, wah (Vox/CryBaby)
GuitarsEpiphone Casino, Fender Strat (Rocky), Gibson J-200 acoustic, Martin D-28, Fender Telecaster Bass
AmplifiersFender Twin Reverb, Fender Bassman, Vox UL730
ProducerGeorge Martin (with Chris Thomas covering)
Engineer / 2ndKen Scott (early), Geoff Emerick walked off — replaced • John Smith, Mike Sheady, Barry Sheffield (Trident)
Estimated takes67 (highest take number documented in Lewisohn (1988))
Actually the one thing John didn't like was that I took Ringo during a lull — they were doing something complicated, like a guitar solo or something — and I said to Ringo "Let's go in the other room", and we went into three, I think it was, and recorded `Why Don't We Do It In The Road', just me and Ringo. ML: You were…— Mark Lewisohn, The Complete Beatles Recording Sessions, p.8

Legacy & release history

In the canonical discography it appears on the LP The Beatles (White Album). Documented alternate versions include Mono Masters (2009 box), White Album 50th Anniversary (2018). Mono and stereo histories vary by era — see the dedicated section below. 'Why Don't We Do It in the Road' represents McCartney's blues-rock approach. Paul McCartney lead vocals appear in 65 canon songs (13 in White Album era). The track established McCartney's connection to American blues traditions and became a concert staple where the song's sexual suggestiveness and raw groove generated audience excitement. Take 4 from 9 Oct 1968; Mellotron sample tape from unknown (possibly Australian Eric Cook); 'eh up' after song is part of recording.

Mono & stereo

Documented alternate versions

Released on

Cross-references

Other songs sharing themes (one-lyric-line, solo-paul, rishikesh-monkeys)

Other songs led by the same vocalist

Other songs from this era

one-lyric-linesolo-paulrishikesh-monkeys

References & external databases

Cultural appearances

  • Coinciding with the 50th anniversary of its release, Jacob Stolworthy of The Independent listed "Why Don't We Do It in the Road?" at number 27 in his ranking of the White Album's 30 tracks.
  • The song was recorded by Lowell Fulson, an American blues singer, in 1969 on the Jewel label.
  • The Fulson recording credits Lennon and McCartney as writers and was featured on the soundtrack of the 2007 film American Gangster.

Extracted from the ‘In popular culture’ / ‘Legacy’ section of the corresponding Wikipedia article. Verify against the linked article before quoting.

Frequently asked

Who wrote Why Don't We Do It in the Road?

“Why Don't We Do It in the Road?” is credited to Paul McCartney (Lennon–McCartney).

Who sings lead on Why Don't We Do It in the Road?

The lead vocal on “Why Don't We Do It in the Road?” is by Paul McCartney.

When was Why Don't We Do It in the Road? recorded?

“Why Don't We Do It in the Road?” was recorded 10 Oct 1968 at EMI Studios, Abbey Road.

How many takes did Why Don't We Do It in the Road? require?

Mark Lewisohn's session log documents up to 67 numbered takes for “Why Don't We Do It in the Road?”.

See also