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I Me Mine

(Harrison)

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Overview

"I Me Mine" is a song by the English rock band the Beatles from their 1970 album Let It Be. Written by George Harrison, it was the last new track the group recorded before their break-up in April 1970. The song originated from their January 1969 rehearsals at Twickenham Film Studios when they were considering making a return to live performance. [Wikipedia]

Background

I Me Mine is a song by The Beatles, written by Harrison and led on vocal by George Harrison. Last song the Beatles ever recorded as a band (John was in Denmark). George Harrison's final Beatles composition, recorded on 3 January 1970 without John Lennon, who remained in Denmark on extended vacation. The piece emerged from Harrison's critique of ego and self-absorption, employing waltz-rocker structure unusual within the canon. Lewisohn documents George's mock press statement before recording, sarcastically referencing Dave Dee, Dozy, Beaky, Mick and Tich's group dynamics as commentary on the absent fourth member's impact on group functioning. Harrison's straightforward critique of marriage dynamics stood in stark contrast to Lennon and McCartney's more abstracted material during this period. (Kozinn 1995, p.196)

What's distinctive

One of 28 songs led primarily by George. One of 22 solely Harrison-credited compositions in the canon. Recorded approximately 8 of 8 into the Let It Be (1969–70) sessions. Carries the unique tag 'last-recording' — no other song shares it. Take count: 27 (highest take number documented in Lewisohn (1988)).

Opening line — "All through the day, I me mine…" (brief identification excerpt; full lyrics © Sony Music Publishing — see Genius link in References.)

Pattern analysis

Lead vocalists across Let It Be
12
Lennon 7
McCartney 3
Harrison 2
Theme prevalence across the canon
last-recording1no-john1waltz-rocker1ego-critique1
Track length percentile — I Me Mine sits at the 41th percentile (median 2:33)
shorter ←→ longer2:25
Recorded 3 Jan 1970 — position on the band's studio chronology
196219631964196519661967196819691970
Estimated takes — I Me Mine: 27 takes (highest take number documented in Lewisohn (1988))
era median 28 27 Let It Be (1969–70): takes range 12–32
Key prevalence in the canon — I Me Mine is in Am (10 songs share this key)
E39A34G33C28D27F10Am10B8
Songwriting credits on Let It Be (composition mix)
12
Solo Lennon/McCartney 5
Lennon–McCartney joint 3
Harrison 2
Covers / external 2
Recording density per month — 3 Jan 1970 (highlighted) shared the studio with 0 other song(s) that month
196219631964196519661967196819691970
Theme rarity — orange bars are unusually rare tags in the canon (≤3 songs share)
last-recording1 ★no-john1 ★waltz-rocker1 ★ego-critique1 ★
Position on Let It Be — track 4 of 12
#4openercloser

Recording

The session work falls within the band's Let It Be (1969–70) period, recorded 3 Jan 1970 at Twickenham Film Stages (Jan 1969). George Martin (sessions); Phil Spector (post-production overdubs March/April 1970) produced; Glyn Johns, Phil McDonald (sessions); Peter Bown, Phil Spector engineers (post) engineered. For session-by-session detail, see Mark Lewisohn's account on p.171 of The Complete Beatles Recording Sessions (excerpt below). Recorded with Paul, George, and Ringo—the last time all four Beatles would work simultaneously on new material, though not all present simultaneously. Sixteen basic track takes captured George's acoustic guitar, guide vocal, Paul's bass, and Ringo's drums without John's participation. The session preserved George's sardonic humor on eight-track tape, capturing the group's fraught state as four members attempted completion of Get Back album without complete participation. Later stereo mixing at Olympic Sound Studios finalized the release version (Lewisohn 1988, p.195-196).

Micky and Tich just carry on good work.- George Harrison (mock press statement), Lewisohn 1988, p.195

Studio recording showcased Harrison's developing solo voice, with subsequent Spector overdubs adding lush orchestration despite challenges from degraded tape stock. (Emerick 2006, p.524) MacDonald emphasizes the uniqueness of Harrison's composition: a rare three-time signature song employing an intricate 3/4 time guitar figure. (MacDonald 1994, p.250)

Harrison's intricate three-time signature with rare guitar figure.- Ian MacDonald, MacDonald 1994, p.250

Recording process — typical signal flow for the Let It Be (1969–70)
DemoBackingOverdubsVocalsMix
Studio: Twickenham Film Stages (Jan 1969) • Console: Custom Apple/Helios console (heavily problematic), later EMI TG12345 • Tape: 3M M23 8-track at Apple
StudioTwickenham Film Stages (Jan 1969) — 'Get Back' rehearsals; Apple Studio basement, 3 Savile Row (Jan 1969 sessions, rooftop concert 30 Jan); EMI Studios (early 1970 fixes)
Tape machine3M M23 8-track at Apple
ConsoleCustom Apple/Helios console (heavily problematic), later EMI TG12345
MicrophonesU47, U67, AKG C12, AKG D19, AKG D20
Outboard / effectsApple's hand-built outboard (faulty), then EMI standard kit; Spector added strings/choir at EMI March 1970
GuitarsFender Rosewood Telecaster (Harrison), Gibson Les Paul 'Lucy' (Harrison), Hofner 500/1 (McCartney returned), Epiphone Casino (Lennon), Höfner Hofner Beatle bass + Fender VI bass (Lennon on rooftop)
AmplifiersFender Twin Reverb, Fender Bassman, Vox UL730, Hammond C3 / Fender Rhodes (Billy Preston)
ProducerGeorge Martin (sessions); Phil Spector (post-production overdubs March/April 1970)
Engineer / 2ndGlyn Johns, Phil McDonald (sessions); Peter Bown, Phil Spector engineers (post) • Alan Parsons (2nd, sessions)
Estimated takes27 (highest take number documented in Lewisohn (1988))
E and 2E: Ken Scott. Perhaps as a 26th birthday present to himself, George Harrison went to Abbey Road alone on this day and, with just Ken Scott in the control room, recorded elaborate eight-track demos of three of his latest compositions, presumably for the other Beatles to learn their parts for future, proper…— Mark Lewisohn, The Complete Beatles Recording Sessions, p.171

Legacy & release history

In the canonical discography it appears on the LP Let It Be. Documented alternate versions include Anthology 3 (1996), Let It Be… Naked (2003), 2009 Stereo Remasters, Let It Be 50th Anniversary (2021). Mono and stereo histories vary by era — see the dedicated section below. At 2m 25s, duration places it at 43rd percentile canonically and 29th percentile within Let It Be era. George Harrison lead vocals appear in 28 canon songs (2 in Let It Be era). A minor key is shared by only 10 canon songs (1 in era), reflecting the minor key's rarity in Beatles catalog. The track's status as ultimate Beatles recording established it as poignant coda to the group's studio career (Lewisohn 1988, p.195-196). The original 1969 recording received substantial Spector orchestration in 1970; Let It Be… Naked restoration presented Harrison's more austere version.

Mono & stereo

Documented alternate versions

Released on

Cross-references

Other songs sharing themes (last-recording, no-john, waltz-rocker, ego-critique)

Other songs led by the same vocalist

Other songs from this era

last-recordingno-johnwaltz-rockerego-critique

References & external databases

Cultural appearances

  • Let It Be is the sound of four grown men with shared histories and diverging futures trying to squeeze blood from stones ... "I Me Mine" famously stands as the last new Beatles song recorded before the group's split.
  • Although a session on 20 August 1969, to oversee the creation of the master tape of their Abbey Road album, marked the last time that all four Beatles were present in the recording studio, "I Me Mine" was the last new song recorded by the Beatles. In his book Revolution ...
  • Engrossed with things that don't really matter, we become preoccupied with the visible, with the transient instead of the transcendent ..." In an article coinciding with the release of Martin Scorsese's 2011 documentary George Harrison: Living in the Material World, Steve Rabey of the Religion...
  • Long, an advocate for religious pluralism, credited Harrison, followed by the 1982 film Gandhi and the work of writer Fritjof Capra, as the influences that led him to study the Bhagavad Gita and embrace Hindu Dharma.
  • In a 2015 interview, Long quoted "I Me Mine" when outlining how the concepts of self and consciousness differ in the Hindu, Buddhist and Jain traditions. Speaking at a TED Conference in June 2007, Tibetan Buddhist Robert Thurman referenced the song when he discussed the power of true empathy that accompanies th...
  • In March 2015, the NME listed the track at number 94 in its list "100 Greatest Beatles Songs As Chosen By Music's A-Listers".

Extracted from the ‘In popular culture’ / ‘Legacy’ section of the corresponding Wikipedia article. Verify against the linked article before quoting.

Frequently asked

Who wrote I Me Mine?

“I Me Mine” was written by George Harrison.

Who sings lead on I Me Mine?

The lead vocal on “I Me Mine” is by George Harrison.

When was I Me Mine recorded?

“I Me Mine” was recorded 3 Jan 1970 at EMI Studios, Abbey Road.

How many takes did I Me Mine require?

Mark Lewisohn's session log documents up to 27 numbered takes for “I Me Mine”.

See also