Yellow Submarine / Eleanor Rigby
Single by The Beatles • 5 August 1966 • Parlophone R 5493
Revolver (1966) — Studio awakening — backwards everything, tape loops.
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About this release
Yellow Submarine / Eleanor Rigby is a single on Parlophone (catalogue R 5493), released 5 August 1966. Released the same day as the Revolver LP — both A-sides.
Recorded during the band's Revolver (1966) period, produced by George Martin with Geoff Emerick engineering. The tracks were committed to tape at EMI Studios, Abbey Road on Studer J37 four-track (with vari-speed, ADT) via the REDD.51.
Release context
Yellow Submarine / Eleanor Rigby is a Beatles single issued in the United Kingdom on 5 August 1966 by Parlophone under catalogue number R 5493. It sits in the band's Revolver (1966) period. It was issued the same day as the parent LP Revolver.
Sessions were produced by George Martin with Geoff Emerick engineering, working at EMI Studios, Abbey Road. The signal chain ran through the Studer J37 four-track (with vari-speed, ADT) • REDD.51, with vocals captured on Neumann U47/U48, AKG C12, STC 4038, close-miking pioneered (Emerick) on Ringo's bass drum. This combination of room, tape format and outboard chain is the same one heard across the band's other releases from the era — meaning the release shares its sonic identity with its parent LP rather than departing from it.
The release features Yellow Submarine.
Documented alternate masters and remaster passes can be found via the linked entries above; the editorial position throughout Beatles Answers is that the original UK mono master is the canonical point of reference for any single from this era, with the 2009 and 50th-anniversary stereo remasters treated as documented variations rather than replacements. Catalogue numbers, label copy and matrix data are taken from EMI/Parlophone primary documentation and cross-checked against Mark Lewisohn's The Complete Beatles Recording Sessions (1988).
Track-by-track context
Each track on this single carries its own session history on the dedicated entry. The summary below pulls the most distinctive editorial detail from each:
- Yellow Submarine — Recorded across multiple sessions, the track incorporated extensive sound effects and percussion overdubs, with session musicians adding harmonica, cello, and various percussion instruments to establish the song's playful submarine soundscape.
What's distinctive
2 tracks; average length 2:24. McCartney dominates the lead vocals (1/2). Lead writing credit: Lennon–McCartney (1 of 2). 1 marquee song(s) on this release have hand-crafted extended essays. Estimated total takes across the release: 37.Tracklist
Side A
Side B
Pattern analysis
Era technical context
| Microphones | Neumann U47/U48, AKG C12, STC 4038, close-miking pioneered (Emerick) on Ringo's bass drum |
|---|---|
| Outboard | EMI RS124, EMT 140 plate, Fairchild 660 limiter, EMI Artificial Double Tracking (ADT), Leslie cabinet (vocals) |
| Guitars | Epiphone Casino, Gibson SG (Harrison), Rickenbacker 4001S bass (McCartney introduced) |
| Amplifiers | Vox AC100, Vox 7120, Fender Showman, Fender Bassman |
